This film is a monument to the skills of the writer, maker, performers and, of course, Mozart's music. Mozart's life had the air of tragedy, and his undoubted genius speaks to us now and forever. This film leaves one breathless from its visual beauty, its magnificent score and the choreography, indeed, of the two together. Another unintended star in this film are the candle lit sets and theatres of the 18th Century their operas and drama ooze a magic that is lacking in the present world and which modern producers might well try to reintroduce so lovely are these buildings with their flickering lights and theatrical techniques that one is left desperate to to seek out these rare theatres to experience them. Only in the final scenes is Mozart's brilliance as a composer truly explored in what amounts to a deconstruction of his final composition - his moving, uncompleted and poignant Requiem mass. As a theatrical device to show that genius can come in disastrous packages it succeeds well, but anyone with any historic sense of social ettiquette or manners will know that Mozart's sill y behaviour would be well wide of the truth, as might, perhaps, be the concept of Salieri as murderer-in-chief.
The casting of the Austrian King and courtiers, (indeed all the actors in this film) that Mozart needed to impress capture the gentility and courtesy of the time, and also subtly shows their growing indignation and impatience at Mozart's personality and behaviour the presentation of Mozart as punk musician is probably the only failing in the film. Set in the prettiest and most flamboyant century of the last millennium, it is visually stunning and the writer's portrayal of jealousy is perceptive. But beyond the music this is an outstanding film.
Ironically, while Salieri has indeed been completely overshadowed by Mozart, his music still survives and has its followers. Without his music, Mozart would be lost in time, a fate that the narrator of the story, the composer Salieri, saw as his own. And that, after all, is what the film is about. Mozart's music excells with brilliant treatment and dies with a bad performance. Buy the soundtrack and you will be rewarded with some of the most stunning music you can hear.
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Get a free 7 day trial of SQUADCAST.The unseen star of this film is the Academy of St Martin's in the Field, London. His next feature was a period biographical film, Amadeus (1984), based on.
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Joining us on this ill-advised gondola ride into hell is JOHN HERNANDEZ and his hairy horny humpy horror host alter ego, STAN THE MECHANIC! THE FUNHOUSE was directed by TOBE HOOPER ("Texas Chainsaw Massacre", "Salem's Lot") and stars ELIZABETH BERRIDGE ("Amadeus"), COOPER HUCKABEE ("True Blood", "Gettysburg"), LARGO WOODRUFF ("Bill: On His Own"), MILES CHAPIN ("Pandemonium", "Howard the Duck", KEVIN CONWAY ("Oz", "Slaughterhouse Five") and SYLVIA MILES ("The Sentinel", "Evil Under the Sun").Ĭome join us every Sunday Night in October at 8pm EST at the SCREAMQUEENZ VIRTUAL DRIVE-IN for free Halloween themed Watch Parties at 10/24 TRICK R TREAT (2007) After accidentally witnessing a murder, the gang finds themselves being hunted by the ride's bloodthirsty barker and his not-quite-human son. When an evening at the carnival proves neither thrilling nor chilling enough, Amy and her friends get the bright idea to have an impromptu overnight smooch-n-grope party in the creepy funhouse. This Halloween, I'm inviting you to spend the night with me in TOBE HOOPER's 1981 creepy carnival monster mashup, THE FUNHOUSE.
Step right up, step right up! Climb aboard for the ride of your life.or possibly the end of your life.
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